Choreographic Forms


Canon

A canon is commonly referred to as a “round” in the musical world. This form is effective with children of all ages due to its familiarity. When “Row, row, row your boat” is sung as a round, one group sings this first line while another group is silent. Then when the other group sings the first line, the original group sings “gently down the stream,” etc. Singing or other music may or may not accompany a movement canon:

Phrase

Group 1 Group 2
1
Side-step for 8 counts
2
Walk forward 4 counts and backward 4 counts
Side-step for 8 counts
3
Grapevine right 4 counts and left 4 counts
Walk forward 4 counts and backward 4 counts
4
Bend forward, bend right, bend backward, bend left (each 2 counts)
Grapevine right 4 counts and left 4 counts

 

ABA

The ABA form might be compared to a sandwich. The sequence includes an initial movement phrase, (A), a second movement phrase (B), and a repeat of the first phrase (A):

Phrase

All Movers
1
Side-step for 8 counts
2
Walk forward 4 counts and backward 4 counts
3
Side-step for 8 counts

 

Rondo

A rondo alternates a primary movement pattern (A) with any number of additional movement patterns (B, C, D). With four total patterns, the sequence is ABACAD:

Phrase

All Movers
1 (A)
Side-step for 8 counts
2 (B)
Walk forward 4 counts and backward 4 counts
3 (A)
Side-step for 8 counts
4 (C)
Grapevine right 4 counts and left 4 counts
5 (A)
Side-step for 8 counts
6 (D)
Bend forward, bend right, bend backward, bend left (each 2 counts)

 

Theme & Variation

The theme and variation form begins with an initial movement pattern (A), and then adds subsequent variations of that pattern (A1, A2, A3):

Phrase

All Movers
1 (A)
Walk forward 4 counts and backward 4 counts, beginning right foot
2 (A1)
Walk forward 4 counts and backward 4 counts, beginning left foot
3 (A2)
Walk diagonally forward (right) 4 counts and backward 4 counts, beginning right foot
4 (A3)
Walk diagonally forward (left) 4 counts and backward 4 counts, beginning left foot

Individual choreographic forms may be used as described here, or combined in a variety of ways. Teachers just need to be sure that the complexity of choreographic forms in a dance remains suitable for a given developmental level. An example is provided in which the line dance "Popcorn" combines aspects of the ABA, Rhondo, and Theme Variation forms:

Popcorn

© Steven A. Henkel, 1/06

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