Copyright
I. Immaterial Property (Intellectual Property) | |
what is intellectual property? | |
original works fixed in a tangible form |
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ex. it is not ideas, theories, facts
or news |
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why protect it? |
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an incentive to be creative and a way
to protect the creator's ability to profit |
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how is it protected? |
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by granting monopoly rights for a fixed
period of time |
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copyright, trademark, patent |
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Article I, Section 8, Clause 8 (Constitution) | |
The Congress shall have power... (8) to promote the progress of Science and useful Arts, by securing for limited times to Authors and Inventors the exclusive right to their respective Writings and Discoveries; | |
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new technologies are stretching intellectual
property laws |
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A. Trademarks (TM) | |
Federal Trademark Act | |
United States Patent and Trademark Office | |
used to protect distinctive words, symbols,
devices that clearly identify a business firm and its products (and its
also a form of consumer protection) |
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seeks to reduce the likelihood of confusion |
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the first person to fix the trademark
controls it (not the first to register) |
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however, to enforce the trademark (sue
for infringement) the trademark must be registered |
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in addition, the holder must make an
effort to prevent unauthorized use (ex. Spam) |
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trademarks exist only with respect to
some commercial activity |
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trademarks have no set lifespan (first
time for 5 years, renewals for 10 years) |
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can lose a trademark by not using it
or not protecting it (typically 2 years) |
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can be a word(s), slogan, title, design,
color, sound, device, style, etc. as long as it is distinctive (doesn't
apply to parody) |
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the same trademark used to be able to be used if the similarity was not likely to cause consumer confusion (it used to be that it only applied to the same industry/field/product) now, trademark holders have a greater ability to limit "dilution" of the trademark |
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"Greeking" | |
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Case: Taco Tuesday | |
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B. Copyright | |
U.S. Copyright Office | |
Technology change pushes copyright law | |
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when is a work copyrighted? | |
when it is fixed in a tangible form |
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have the option to register |
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How can I tell if something is registered (copyrighted)? | |
search the copyright office files |
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the © is not required, so the lack
of a symbol doesn't mean it's not registered |
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why register? | |
can't sue for infringement without registration |
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registration is simple and the fee is
small |
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how long is a copyright good for? | |
life of the author plus 70 years |
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if a work for hire (a company holds the
copyright) 95 years from publication or 120 years from creation, whichever
is shorter |
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once a copyright expires, the work goes
into the public domain |
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What may be copyrighted? | |
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what rights does the copyright holder have? | |
1. The right of reproduction of the work | |
2. The right of preparation of derivitive works | |
3. The right of public distribution of the work | |
4. The right of public performance of the work | |
5. The right of public display of the work | |
6. The right of public digital performance of a sound recording | |
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these rights can be sold (and bought),
traded, inherited, leased, licensed etc. (like property) |
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thus, permission is required to use |
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copyright clearance houses - ASCAP, BMI (CCLI for churches) | |
music - compulsory license - allows radio stations (and others) to play music without getting permission for each and every song | |
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there is no protection for federal publications
(they belong to the public) |
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what's not protected? | |
titles, slogans, phrases (but if used
in commercial activity...) |
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News events - can't copyright facts or
the substance of the story (but can copyright your presentation of those
facts) |
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implications for historical movies, biographies
etc. |
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C. Fair Use | |
in order to "promote the progress of Science and useful Arts" it may be necessary to permit someone to borrow limited amounts of material from a copyrighted work without seeking permission | |
ex. movie reviews, teaching etc. | |
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There are four factors that are used in considering if "copying" is considered a fair use | |
1. The purpose and character of the use | |
favors noncommercial or nonprofit use (education!) | |
for commercial use - criticism and comment is critical | |
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2. The nature of the copyrighted work | |
is it still available? if not, infringement is less likely | |
is it consumable? if so, infringement is likely | |
is it informational or creative? if info, infringement is less likely | |
is it published or unpublished? first publication is highly protected | |
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3. The amount and substantiality of the portion used in relation to the copyrighted work as a whole | |
proportion is key | |
parody is an issue (since parody reflects the content of the original work) | |
ex. Weird Al | |
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4. The effect of the use on the potential market for or value of the copyrighted work | |
would the plaintiff be harmed by the use? (economically) | |
derivitive works are often an issue | |
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D. Infringement | |
1. Was the work "original"? | |
2. Did the defendent have access to the work? | |
3. was the work copied? | |
substantial similarity |
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was the "fundamental essence"
of the work appropriated? |
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What about downloading MP3s? | |